![]() Each is dynamic: changing how a room is lit will change how it looks, making different kinds of noise within it will reveal different aspects of its sound. Just as buildings have a visual signature (what they look like) so they have an aural one. Audition of them is via the patterns of reflected and diffracted sound that repeatedly pass the observer as their energy decays and spreads. Visions of them are the trajectories and alterations of light that travel within them to the observer. They are based on long listening sessions which preceded the actual sound recordings as well as my notes of the respective places.Ģ9.07.20 – Jez Wells – Traces of Sound and Light – 13:06 – 320 kbpsīuildings, and the spaces and atmospheres that they enclose, are primarily experienced through seeing them and hearing them. Therefore, the Iceland Miniatures can be understood as reconstructed subjective, sonic impressions. I didn’t want to give much room to my preconceptions about how sonographic sketches of the island should sound. Oscillating between the ecosystem of Iceland, the Iceland of its inhabitants and the Iceland of my expectations, I tried to focus entirely on the sounds themselves, during the recording and organisational processes for this piece. To this end, some of these holidaymakers may even expect the islanders to kindly maintain it in a state that does not stand in the way of their projections – a strange, structurally colonial habitus. All irritations are suppressed in order to be able to hold on to the sentimental image of the magical, untouched island. One could get the impression they are driven by the belief that they are entitled to it – as if someone else were cheating them out of this salvation at home, that there is no connection between them and the cause of the condition of the ecosystems there.įrom this desire, the natural history and ecology of Iceland, but also the lifeworlds of the inhabitants are often ignored. Many escape their ecologically and aesthetically depleted places of origin to seek the salvation of unspoiltness on the island. Hundreds of thousands of people visit Iceland every year for comparatively short trips. My desire to immerse myself in a peaceful environment for some time and also my naïve projections, unexpectedly and drastically caught up with reality. ![]() ![]() 01.09.21 – Patrick Francke – Iceland Miniatures for Inga Martel – 32:49 – 320 kbpsĭuring my travels to and in Iceland, I was repeatedly reminded of the film “Despair” by Rainer Werner Fassbinder. ![]()
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